In 1991, Rosemary began her longtime association with the New York theater company, Mabou Mines. Her recent directing credits include: last season’s Velocity of Autumn and Hughie, previous season’s Grounded and An Almost Holy Picture. Her onstage credits include: Frozen, Harvey, Chapter Two, Barefoot in the Park, Cabaret, The Balcony, The Way We Live Now, Royal Gambit, Loves Scenes from Romeo and Juliet, Reel to Real, The Collected Works of Billy the Kid, The Maids, Skimpies and The Bad Seed. Her work dates back as far as the Arizona Contemporary Theater Company, Northwest Studios and the Glendale Little Theater to name a few oldies. Rosemary has been involved in theater in the Valley for over thirty years. Both plays, along with Bee-luther-hatchee, are published by Playscripts. Permanent Collection was the pilot selection of the National New Play Network’s Continued Life of New Plays Fund, and A House With No Walls was a subsequent selection. Stevens Award from The Fund for New American Plays, the Barrie and Bernice Stavis Playwriting Award, the NAACP Theatre Award, two Barrymore Awards for Outstanding New Play, and a Pew Fellowship in the Arts. He is the recipient of seven playwriting fellowships from the Pennsylvania Council on the Arts, the Roger L. Louis, New Repertory Theatre, Florida Studio Theatre, Arizona Theatre Company, Center Stage, Ensemble Theatre of Cincinnati, Kirk Douglas Theatre/Center Theater Group, Aurora Theatre, Madison Repertory Theatre, Roundhouse Theatre, and many others. His plays have also been seen at the National Playwrights Conference at the Eugene O’Neill Theatre Center, off-off-Broadway at Blue Heron Theatre, Northlight Theatre, Florida Stage, Unicorn Theatre, Repertory Theatre of St. Other plays include The Exhibition and Homer. His most recent play, Uncanny Valley, was a Continued Life of New Plays Fund selection it premiered at Contemporary American Theater Festival in 2014 and in 2015 at InterAct, San Diego Rep, and Capital Stage (Sacramento) and is published by Dramatists Play Service. Thomas is playwright-in-residence at InterAct Theatre Company in Philadelphia, which has premiered nine of his plays: Pretending to America, 6221, Axis Sally, Black Russian, Bee-luther-hatchee, Permanent Collection, A House With No Walls, and Silverhill. What is the cost of failing to view the world through another's eyes? Spurred on by a zealous local journalist, this clash quickly escalates to public accusations of racism and a bitter struggle for control of the collection. “Permanent Collection” is a searing examination of racial politics that ultimately asks how much space - literally and figuratively - the white world gives to African-Americans. His proposal to add them to the public galleries is opposed by the foundation's long-time education director, who is loyal to the idiosyncratic wishes of the late Dr. Soon after African-American businessman Sterling North becomes the new director of the Morris Foundation, he discovers that this world-famous art collection includes several significant African sculptures tucked away in storage. At the West Campus of A.S.U., Second Stage Westįeb.
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